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New Course: Give Your Digital Images a Black and White Film Look

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Do you want to learn some great digital post-production techniques that will help you emulate a classic black and white film look?

If so, our new course, Give Your Digital Images a Black and White Film Look, is ideal for you. It's a short course, with a total viewing time of less than an hour, so you can easily fit it in, no matter how busy you are. 

Give Your Digital Images a Black and White Film LookGive Your Digital Images a Black and White Film LookGive Your Digital Images a Black and White Film Look

What You’ll Learn

Black and white film is a wonderfully organic, expressive, and emotional way to make pictures. Unfortunately, film is also finicky, inconvenient, and expensive. Digital photography lacks the inherent charm of film—raw digital images tend to be a bit cool and clinical out of camera—but it sure is handy! What if you could have the best of both?

In this course, Envato Tuts+ instructor Harry Guinness will show you how to emulate the look of black and white film with digital processing. By the end of this course, you'll have a hybrid black and white workflow that looks great and is highly flexible.

Watch the Introduction

Take the Course

You can take our new course straight away with a subscription to Envato Elements. For a single low monthly fee, you get access not only to this course, but also to our growing library of over 1,000 video courses and industry-leading eBooks on Envato Tuts+.

Plus you now get unlimited downloads from the huge Envato Elements library of 200,000+ photos and 26,000+ design assets and templates. Create with unique fonts, photos, graphics and templates, and deliver better projects faster.

Or if you're looking for a shortcut, you could try the Silver Photoshop action available on Envato Market. With just a few clicks, you can simulate the look of 28 B+W films from Agfa™, Foma™, Ilford™, Kodak™, Konica™, Polaroid™, and Rollei™. This action set also includes 15 contrast effects and 8 seamless film grains.

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