- Overview
- Transcript
2.2 Lighting Your Subject
As you have already learned, when working on green screen photography, you need to light your screen (or background) and your subject separately. In this lesson, you will see several examples of lighting against a gelled background to learn what will create the best final result.
1.Getting Started With Green Screen
1.1Introduction01:39
1.1
Introduction
01:39
1.2What Is Green Screen Photography?03:07
1.2
What Is Green Screen Photography?
03:07
1.3Final Results and Expectations04:13
1.3
Final Results and Expectations
04:13
1.4Harder Than It Looks05:57
1.4
Harder Than It Looks
05:57
1.5Gear16:16
1.5
Gear
16:16
1.6Locking Down the Values05:56
1.6
Locking Down the Values
05:56
2.Setup One
2.1No Screen Required!10:09
2.1
No Screen Required!
10:09
2.2Lighting Your Subject09:30
2.2
Lighting Your Subject
09:30
2.3Post-Processing: Setup One16:19
2.3
Post-Processing: Setup One
16:19
3.Setup Two: Portable Screen
3.1Setup Two: Composite Goals04:06
3.1
Setup Two: Composite Goals
04:06
3.2Portable Green Screen Setup
07:20
3.2
Portable Green Screen Setup
07:20
3.3Lighting a Portable Green Screen13:09
3.3
Lighting a Portable Green Screen
13:09
3.4Lighting Subjects for Compositing06:15
3.4
Lighting Subjects for Compositing
06:15
3.5Keying the Background for the Portable Screen05:31
3.5
Keying the Background for the Portable Screen
05:31
3.6Compositing Into a Background Image15:51
3.6
Compositing Into a Background Image
15:51
4.Full Body and Group Shots
4.1Planning Wide Shots05:29
4.1
Planning Wide Shots
05:29
4.2Screen Setup05:42
4.2
Screen Setup
05:42
4.3Lighting the Big Screen10:21
4.3
Lighting the Big Screen
10:21
4.4Lighting for Full Body Shots06:03
4.4
Lighting for Full Body Shots
06:03
4.5Lighting for Group Shots08:46
4.5
Lighting for Group Shots
08:46
4.6Keying Out the Group10:32
4.6
Keying Out the Group
10:32
4.7Compositing the Group12:03
4.7
Compositing the Group
12:03
5.Conclusion
5.1Conclusion02:25
5.1
Conclusion
02:25
