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Cinematic Effects in After Effects

Christopher KenworthyLessons: 18Length: 2.3 hours
Post-Production Motion Graphics Adobe After Effects
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5.5 Advanced Reframing

By making a layer 3D, you can create the impression of moving the camera closer to an actor during the shot without it looking like a computer effect.

1.Welcome
1 lesson, 03:19

1.1
Introduction To Cinematic Effects
03:19

2.Creating Depth
4 lessons, 42:59

2.1
Depth Blurring
09:30

2.2
Adding Foreground Objects
13:57

2.3
Modifying Masks
07:59

2.4
Pulling Focus
11:33

3.Creating Texture
3 lessons, 21:06

3.1
Add Light To Walls
06:39

3.2
Create Animated Wall Shadows
05:46

3.3
Adding Lens Artifacts
08:41

4.Correcting Errors
2 lessons, 13:50

4.1
Removing Unwanted Parts of The Frame
07:20

4.2
Removing Unwanted Colors
06:30

5.Digital Cinematography
5 lessons, 39:53

5.1
Increasing Separation
09:38

5.2
Relighting A Scene
06:24

5.3
Advanced Scene Relighting
08:41

5.4
Reframing A Shot
07:11

5.5
Advanced Reframing
07:59

6.Cinematic Close-Ups
3 lessons, 19:40

6.1
Relighting A Face
06:12

6.2
Digital Makeup
05:46

6.3
Adding Eyelights
07:42

Christopher Kenworthy
Christopher Kenworthy
Christopher Kenworthy (born 1968) is an Australian writer and former film director. He is the author of two novels, The Winter Inside and The Quality of Light for Serpent's Tail, along with a short story collection, Will You Hold Me? and the chapbook Sullom Hill. His fiction has been widely praised by authors such as Michael Moorcock, and anthologised in books such as The Year's Best Fantasy and Horror. Born in Preston, England, he moved to Australia in 1997 and began a directing career which lasted until 2013. His Master Shots books are best-sellers for Michael Wiese Books. He is the director of The Sculptor. He won the Award For Directing (WA Screen Awards) in 2007. He directed many music videos, including Dreaming Light for Anathema (band).
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